The stadiums empty but for the scuffle of feet, the squeak of sneakers, the sweat of the game. Outside these doors, a world on fire, and the pressure – order – to keep it out. From the empty seats, let the fans imagine for a moment, a breath, that things are as they were, as they never will be again. Protect them from the fire.
When the fire burns hotter, deadlier, against the players and their people, No. When the moment requires no respite for some until justice for all, No. When the reckoning must happen, even here, especially here, No.
Oh, the work in progress. The struggle, the self-doubt, the flow, the joy: all the myriad feelings that go into taking a seed of an idea and creating a garden of story. My current one is a novel that I’ve been at for nearly two years. I’ve drafted other novel length stories, but this one is the one I promised myself to get all the way through the editing process and make it something of which I am proud (even if proud of actually finishing). So, in the spaces between my work and my life and now also the ones between dealing with the pandemic and searching for my place in this much-needed racial justice reckoning, I’ve been writing. And writing. And writing.
I’ve been scared of finishing this one, because it is requiring levels of vulnerability and self-evaluation and risk that I haven’t yet asked of myself in my writing. That’s a whole other blogpost. But I sub-promised myself earlier this year that I would draft this plot through to the end, let it be whatever it was right now, and go from there. I was doing great, about halfway through, with a good plan for the next quarter and enough trust in myself and the story to take me all the way to the end.
And then I had an idea. Not just any idea, but THE IDEA THAT PROMISES TO FIX IT ALL! (aka the TITPOFIA!)
I was finally in a place for the story to tell me what it needed: I had done the work to get to know these characters and I had reached the point where story could start making demands, sending up ideas from my subconscious that had been marinating for my writer-brain to deal with. The TITPOFIA! is a good one, but it will ripple across the story in such a way that most (all) of what I’ve written will need to change, at minimum, but a lot is probably going to get tossed out.
And that left with me with a dilemma. Do I keep that promise and finish this draft, making the change in the next round, or do I abandon it and implement the idea now? How do I know that the idea isn’t just my brain trying to keep me from the scary work of getting to the end? What, exactly, should I do?!
I needed a method. Something that engaged with both this gut feeling that I needed to write this new idea into the story right now, and the part of me that knows that finishing this draft is a very important practice to my development as a writer overall. So I came up with this: Evaluate, Mind-Map, Draft.
Evaluate the idea. This probably seems pretty obvious. But when I am in the throws of a TITPOFIA!, it can be really difficult to see it for what it’s actually worth. I need to find a way to step back and look at the idea with a modicum of distance. I started asking it questions and demanding good answers.
Now, to be clear, I’m not talking about the thousand and one ideas that come up when you are writing, like potential costume changes (which, in my WIP, can be changed without causing too many or too large ripples). I’m talking about the ones that feel like, when you are done with them, they will have put your story into a close, but parallel universe: similar but not the same.
My question can be boiled down to three:
Does it increase the stakes?
Will it vastly improve the story overall?
Is it in line with the characters I’ve created?
These questions target what is important so that I can know if I should move forward with the idea now, or write it down somewhere and revisit it later.
Does it increase the stakes? If the idea is simply a different way to tell the same story, to me this indicates that I’m using the idea to avoid telling this story. I’m probably afraid of something, and getting to the bottom of that will be a far better approach to moving forward than changing my whole story for something that doesn’t, in the end, add anything to what I’ve done.
On the other hand, if it increases the stakes, then continuing to evaluate the idea makes sense. The stakes your characters face are the sustenance of the story, so an idea that will increase this is probably worth the effort to make all of the changes it requires.
Will it vastly improve the story overall? I’ll leave to you what “vastly” means in the context of your story, but for me, I want to know that this idea isn’t going to improve only a scene or two. If that’s the case, I can save it for later and implement in the next round of edits if it still makes sense to make the change. But if it’s going to require story-wide changes that also make the story better, then I’d be willing to break my promise to myself and rework the story now.
Is it in line with the characters I’ve created? This question is my gut check that this idea isn’t for another story. If my idea is going to radically change the “who” of my story, then I’m pretty sure that I’m trying to start a new story in the middle of the one I’m actually working on. New ideas are great! I get so many while I’m writing. They go on a list, and I might play with them for a little every night before I go to bed, but they are not my work in progress. This is another way that my fear can hide in plain sight and pretend to be in service of the story when it’s actually distracting me from it. Like with the stakes question, it will be better for me to address that fear head on now.
For my current work in progress, the answer was yes, to all three. Emphatically yes to the stakes and the characters, and yes but in a gut feeling sort of way for improvement to my story. So I’m probably going to make this change, but first, let’s mind-map!
Okay, so I’ve evaluated and come to the conclusion that the story probably needs to change. But what does that mean? Susan Dennard offers us three potential avenues: write forward as if you’ve already changed it, go back and change everything, or toss out the draft and start again. For me, deciding which way to go was leading to me to a dead end. I needed an anchor. I decided to use a mind-map.
I started using mind-mapping as an adult when I got my first Passion Planner. [Side note: I don’t make any money on links. These are things I use (or have used), and I like sharing resources. If that ever changes, I’ll make that clear.] Mind-maps are a way to capture and connect ideas while letting your mind run wild. You write the idea or the topic or whatever and put it in the center and then write out the ideas that come from that: implications, scene ideas, blurts of thoughts, whatever. They are useful no matter what writer style you have: planner, pantster, plantster, or those of us with stories that want to stay feral as long as possible.
The one thing about mind-mapping by hand, though, is the limitations of the size of your page. You could definitely just add pages and tape them all together and that could be a shit-ton of fun. I would definitely do that, if that felt like the best way to work through the TITPOFIA! But for this, I needed something more flexible (read: editable), so I am using Scapple. If you use Scrivener, you probably know about Scapple. It’s super easy mind-mapping software that, so far, hasn’t limited me on how far from the “center” I can go.
So, I dropped the TITPOFIA! into a mind-map file and started spinning out the implications. I started with characters, connecting notes about how the TITPOFIA! would affect them. From there, plot and subplot changes started to become clear and new scenes have appeared as well as old scenes that still work with some smaller adjustments. The TITPOFIA! has raised a number of questions as well as a number of options of how to answer them, and all of these have all been dropped into the map. I’ve been able to map things that will definitely change as well as things that might change, and I was able to do this over days and weeks, rather than feeling like I had to capture everything right now! It’s a living document that I color code to help me manage the things that I have already decided, things I am considering, and questions that are open. With the mind-map, you don’t have to answer every question now, but it will help you see how the idea could ripple through your story and that will put you in a better place to know how to move forward.
Going in to the mind-map process, I really thought I was going to decide to change some of the recent scenes I had just finished and then write forward to end as if I had already changed everything, but I realized a lot has to change. Not everything, but one plot thread and one of my main characters are so much clearer from doing this, so I’m actually excited to make these changes, even though it means losing or changing a lot of what I’ve already done.
So now I’m ready to draft. I know I’m probably starting mostly over, but instead of starting from the beginning from nearly scratch, I am drafting or editing the scenes that will be most impacted by the TITPOFIA! first. I need to wrestle with these changes to these scenes before I change anything else. This is another check to make sure I’m not using this idea to avoid the really hard shit that I’m afraid of, and by doing those scenes first, I’ll be able to see how the TITPOFIA! pans out for real and make sure it is worth it before I change everything else.
Art is not efficient, but our process can be smart. This process is helping me to know the difference between avoidance ideas and quality ones.
How about you? What do you do when you think of a TITPOFIA!?
What do they tell themselves as the funds flow
to prop up their campaign?
Do they whisper or shout
that it’s for the best?
for the greater good
to build a better world
for the little guy?
But the little guy can’t sleep
with the warning lights flashing in his eyes
and the rent coming due
The landlord eyeing his house
Where the little guy sees
Did they tell themselves they’ll make it better?
But only if they stay in office
“The other guy, he’ll burn your house down;
I’ll only sell it out from under you.”
Uncork the hole in the dam
that keeps back the flood
and promise the little guy a lifeboat
Did they notice when all their good intentions
turned to dusty rhetoric?
Did they notice when they bought into the system
and its silent sins?
Did they notice when they started to say, to believe
That’s just the way things are
You gotta play the game to get anything done
But who do they play for?
Because the little guy?
He can’t afford the ticket.
This blog space has been very quiet. I’d say I’m sorry, but after finishing law school and starting a job, I found myself with too much to do, too little time, and mounting levels of stress. Something had to give.
So I took a look. The job is necessity at the moment. My book is in (slow) progress. That left the social media and blogging. I made a choice.
And basically I’ve been managing those feelings that tell you that you just have to get it all done and that if you don’t then the rest of everything is basically worthless. I’ve read the blog posts about how important a social media presence is to a writing career. I worry I’m shooting myself in the foot by setting this space aside.
I’ve created more space to work on my book that I wouldn’t have if I were here. It’s going slower than I thought it was (n00b), which then made me fear I’ve been away from here too long. But I put one word in front of another, and one edit after another. It’s going. And at some point time will open up to more.
So this post, written offline during a flight from Budapest to Milan (I don’t write well on planes), is to say, “Hello, friends. I am still here. Thank you for your patience. Here’s a picture of lovely Budapest in the meantime.”
Writing and Work. This is a blogpost for those of us trying to do two careers and just starting out at both. This is to remind us that it is okay to be a beginner. This is to encourage us to experiment, both in those careers and in managing them. This is to say that taking a risk, no matter the outcome, is a worthy endeavor. Continue reading →
Every community has its politics. My experience of a writer community has been mostly positive, mostly supportive.I maybe miss a lot of the politics because I’m trying to do this whole writer thing while also trying to do another seriously time consuming career. But I hear grumblings. And these grumblings stick with me, because they seem to be about something that I don’t understand the point of grumbling about: fanfic.
Some people are really negative about fanfic and the role it plays in the writing world. So I’m going to come out today. I am unapologetically pro-fanfic. In fact, in my personal, non-monetary scheme of measuring success, having a fandom and having people write fanfic of something I have created is the pinnacle. To have inspired people so much or to have created characters that people love so much that they cannot help but create more art around them? I lack words to say how important that is to me.
I think people assume that fanfic is written primarily by teenage girls. I hope so. Teenage girls should be writing and should be creating the kind of media they want to see. So much of mainstream media content boxes in teenage girls into archetypes, and if all fanfic was written by teenage girls, then I would celebrating it as much if not more than I do now because it allows them to tell their own stories and become their own writers. Today’s teenage fanfic writers can become the novelists and poets and screenwriters of tomorrow. And that is good.
But this post isn’t (only) about fanfic on its own as something of value. It’s also about how writing fanfic can benefit us as writers. Fanfic, friends, is an incredible training ground.
I am trying to work on my writing craft while I work a job and work through my WIP. I’m working cubed. Working on craft is difficult, because you need to spend time strengthening and experimenting with the various aspects of it until it becomes natural. I don’t really want to do that with my WIP. As an actor, I would work on my craft through scene study, focusing on what particular aspect or aspects I needed to strengthen or add to my toolbox. While obviously a writer can do that by writing their own scenes, fanfic provides characters and worlds that can be used or discarded as needed.
Let’s say that you want to work on creating settings. You can take the characters from your favorite show, drop them into some new world (an alternate universe, or “AU” for the uninitiated) and practice the craft of staging your scenes. You have ready-made characters that you are familiar with, so you know what they look like and how they react to certain situations. Part of the creating and writing is largely taken care of, so you can experiment and explore and train some aspect of your craft. Fanfic can make your training more efficient.
You can also get feedback by posting your works on fanficsites and getting comments back from the fandom. They already know the characters well, and you are all starting from – more or less – the same place. You have a built in audience with whom you can test your new crafty skills.
Or maybe you don’t post it. Cool. You write it, you develop your craft, and you move those lessons to your WIP. You do you.
Fanfic is excellent training ground. But even if you think all of the above is bullshit and you have your own way of doing things, cool. But I encourage you not to shit on fanfic. Every iteration of Sherlock, every movie based on the works of Shakespeare, hell, every movie based on a book, all of it is just fanfic. And fanfic is good.